Opening Reception: 7 May (Friday), 2010, 6:30pm – 8:30pm

Exhibition Date: 7 May – June 30, 2010

Venue: EDGE Gallery G/F 60C, Leighton Road, Causeway Bay, HK

想像一位長久眺望著彼岸烏托邦的人，在憧憬與幻滅之間徘徊，時間像咒語似在永遠地漫流，她凝視著剎那悠悠的每一刻，以圖畫記下了當中的景象與思緒。

區凱琳的作品對「時間」之種種「定義」，並非科學或哲學的論述，而是她以手藝來表達對時間流逝的感觸，是視覺的、物質性之「定義」──時間框架、微亮彩虹、懷中手帕、生活瑣事、死亡預備──於繪畫過程中她審視自身，想去裝飾一個等待的歷程，回味一個單純的願望，設想一個美麗的結局。

區凱琳是本地畫家，於香港中文大學取得藝術碩士(2004)及哲學碩士(2009)。她的繪畫作品，是以個人的情意感受及細膩的手藝勞作而煉成圖畫，像生活，是由瑣碎細節織成的整體，可以細味，可以逗留，若只以理性系統去分析它，則難盡其意。

Opening Reception: 19 March (Friday), 2010, 6:30pm – 8:30pm

Exhibition Date: 19 March – April 30, 2010

Venue: EDGE Gallery G/F 60C, Leighton Road, Causeway Bay, HK

2002年創作的《貓》是卜樺目前為止影響最大的作品，在閃客帝國、TOM美術同盟、新浪、央視國際等各大網站發表轉載，觀看點擊率累計數百萬次。隨後央視《人物》、《半邊天》，《神州紀事》，北青報，南方周末、時代人物周刊、陽光衛視《楊瀾訪談錄》、新周刊、人民日報等國內外數百家媒體專題專版對卜樺進行專訪和報導，成為當時的一個文化熱點。 《貓》還被中國視協評為優秀動畫短片。至今，每期《南方人物周刊》都會整版刊載卜樺的漫畫繪本……

在2002年——2007年時期，卜樺出現在媒體面前也常常是以閃客女皇，Flash動畫掌門人的身份出現在新聞媒體報導中。

在此期間卜樺曾經參加：
2003年中國青島國際動畫節、2004年法國昂西國際動畫節、第14屆法國神奇之夜國際動畫節、2005IDAA國際數碼藝術大獎巡迴展以及17屆薩格勒布國際動畫節。

在卜樺的創作初期，多以參加動畫節、動畫展為主。緊緊圍繞在Flash，動畫開展藝術創作。

< EDGE OF INDONESIA >
Group Exhibition of 8 talented Indonesian artists

Exhibition Date: 5 Jan – March 13, 2010
Venue: EDGE Gallery G/F 60C, Leighton Road, Causeway Bay, HK

Both Ida Bagus Putu Purwa and Putut Wahyu Widodo depicts similar concerns pertaining to the change they are experiencing in their country. The artists discuss the issues of social, political, and cultural changes through images of body. human body symbolizes an effort to complete the fragmented junctures in one’s life. The body is conceived less as an object but rather as an area, which gives a strong sense of both location and dislocation. With their individual approach, express their thoughts and experiences pertaining to their memory of personal junctures. Iman Sapari’s dramatic lighting paintings depict deserted railways stations and highways. The canvases contain an eeriness that is one of the traits of ‘Hyper-Realism’. Heru Dodot Widodo expresses his personal reaction to the current world condition. He explores and analyzes the world through different subjects which include economy, environment, and world domination by super power countries. He tries to give his comments through his paintings and he believes that the current conditions that had happened in this world were mainly caused by decision of either somebody who has strong influence or by some nations that have their own political agenda. The Artist carefully chooses his colors, textures, and media to convey feelings and ideas of how he perceived and experience the world he lives in now. He often uses rustic iron background to reflect the modest and simple neighborhood where he lives and work currently.

As one of the most promising emerging artists, Hendra Bayu Hermanto posses both technique and clear concept in his works.  He was inspired to explore the notice boards that are commonly seen at offices or even at our own homes. Through these boards, he takes us to different stories and journeys. Currently, he is working on the ‘remembering’ series, which basically reminding us of people who have influenced and played an important role in the history of mankind. He skillfully adds messages and pictures related to the person he chose to be remembered in his work.  It gives his audience the pleasure of finding the unexpected message, drawing, and other things on his notice board.

Opening Reception: Dec 17 (Thursday), 2009, 6:30pm – 8:30pm (artist present)

Exhibition Date: 17 Dec, 2009 – 30 Jan, 2010

Venue: EDGE Gallery G/F 60C, Leighton Road, Causeway Bay, Hong Kong

Wine sponsor from At Wine internationals

solo exhibition of Seiko Fujioka

Dedicated to promoting the arts and enriching the daily lives of Hong Kong people, Sino Group initiated ‘Art in Hong Kong’ in 2006 and has since organised a diversified range of art exhibitions at various Sino properties. After Central Plaza, OC Gallery in Olympian City and IRM Gallery in Island Resort Mall, Sino Group’s ‘Art in Hong Kong’ is delighted to collaborate with Edge Gallery to bring a series of exciting art exhibitions to the lobbies of China Hong Kong City. The first exhibition features talented Japanese artist, Seiko Fujioka. Born in Matsuyama, Ehime Prefecture, Japan in 1982. She graduated from one of the most famous art institutes in Japan, Tama Art University, major in Japanese Painting. Her art wanders between design and fine art. After graduation, she worked as a designer in the fashion brand in Japan, “facade green” of United Arrows. The hybrid character of the artwork reflects our modern life today in a metropolis.

Exhibition
7/7- 4/9/2009   10:00am - 7:30pm
中港城辦公大樓大堂 Lobbies
China Hong Kong City Office Towers
尖沙咀廣東道33號 33 Canton Road
Tsim Sha Tsui, Kowloon
Free admission

主辦：香港藝術發展局、康樂及文化事務署

合辦：pH5攝影連動

協辦：不一建築、香港攝影記者協會、黑點

開幕酒會日期 : 2008年12月20日(星期六) 下午2時30分

展期(第一展場) :        
2008年12月20日至12月30日

地點 : 香港中央圖書館1-5號展覽館, 香港銅鑼灣高士威道66號

展期(第二展場) :         2009年1月4日至1月17日

地點一 : 中環廣場一樓大堂, 香港灣仔港灣道18號

地點二 : 奧海城1期地下OC藝廊, 西九龍海輝道11號奧海城1期地下OC藝廊

地點三 : 不一藝術EDGE Gallery, 香港銅鑼灣禮頓道60C號地下

《影像香港》座談會 : 2008年12月20日 (星期六) 上午10時至下午1時

地點 : 香港中央圖書館一號活動室

後高清時代的香港攝影群像

攝影涵蓋我們生活的點線面，它更可在不同平台，如印刷、互聯網、藝術館等提供交流訊息作用。香港踏入高清視訊廣播已近一年，畫質的提昇改變大眾閱讀影像的習慣：高解像寬屏幕電視宛如一幅巨大攝影作品讓我們更專注構圖每一細節，整套增強眼球活動的觀賞行為逆轉了視頻廣播的線性時空，把流光逝影凝固成一獨立靜止畫面。這潛移默化的視覺鑒賞經驗將會帶動沉寂的藝術攝影作正面發展，在迎向後高清時代蒞臨之際，我們要承先啟後，由認識香港當代攝影著眼。

《影像當代香港攝影展》從歷史脈絡及攝影多樣的風格和形式取向，展出當代四十多位最傑出及活躍的本地攝影和新媒體藝術家所表達的香港影像，約一百五十幅作品，範疇包括紀實、報導、肖像、概念、混合、裝置和新媒體。此展覽取材有關香港本土近六十年不同議題，包括城市保育、舊區貧民、街頭抓拍、消費文化、政治生態和私攝影等，以多元的視覺語言使觀眾從嶄新的方法及媒介去了解身處之地，藉著系譜形式有秩序整理藝術家想像中的香港面貌，進而提高市民對香港的感知而引發民間更大創意。

與亞洲其他國家相比，姍姍來遲的香港藝術攝影剛踏進青年期，正處於選擇前途的焦慮當中；《影像當代香港攝影展》博覽群像、集思廣益，盼能呈現一個開放式的分類圖譜供日後研究。近期的金融海嘯把大部分財產席捲一空，回歸儉樸恰巧是參予文化活動的良辰，讓我們以擊浪青春的姿態擁抱那未知的時代！